In Jessica Poli’s Red Ocher, the wild mortality of the natural world merges with melancholic expressions of romantic loss: a lamb runt dies in the night, a first-time lover inflicts casual cruelties, brussels sprouts rot in a field, love goes quietly and unbearably unrequited. This is an ecopoetics that explores the cyclical natures of love and grief, mindful that “there will be room for desire / again, even after it leaves / like a flood receding, / the damaged farmhouses / and washed-away bridges / lying scattered the next day / amid silt and debris.” Throughout, Poli’s poems hold space for the sacred—finding it in woods overgrown with thorny weeds, in drunken joy rides down rural roads, and in the red ocher barns that haunt the author’s physical and emotional landscapes.
Jessica Poli is the author of four chapbooks and coeditor of the collection More in Time: A Tribute to Ted Kooser. Originally from Pennsylvania, Poli is currently a PhD candidate at the University of Nebraska–Lincoln.
Red Ocher was a finalist for the 2023 Miller Williams Poetry Prize, selected by Patricia Smith. Every year, the University of Arkansas Press accepts submissions for the Miller Williams Poetry Series and from the books selected awards the $5,000 Miller Williams Poetry Prize in the following summer. For almost a quarter century the press has made this series the cornerstone of its work as a publisher of some of the country’s best new poetry. The series and prize are named for and operated to honor the cofounder and longtime director of the press, Miller Williams.
“I love poems that vivify and disturb,” says series editor Patrica Smith. “No matter what genre we write in, we’re all essentially storytellers — but it’s poets who toil most industriously, telling huge unwieldy stories within tight and gorgeously controlled confines, stories that are structurally and sonically adventurous, and it’s magic every time it happens. Simply put, when I read a poetry book, I want something to shift in my chest. I want my world to change.”