Finalist, 2024 Miller Williams Poetry Prize
Selected by Patricia Smith
In the search for a true home, what does it mean to be confronted instead by an insurmountable sense of otherness? This question dwells at the center of Saba Keramati’s Self-Mythology, which explores multiraciality and the legacy of exile alongside the poet’s uniquely American origin as the only child of political refugees from China and Iran. Keramati navigates her ancestral past while asking what language and poetry can offer to those who exist on the margins of contemporary society. Constantly scanning her world for some likeness that would help her feel less of an outsider, the poet writes, “You could cut me in half. Send the left side with my mother, / right with my father. Shape what’s missing out of clay // from their lands and still I would not belong.” Blending the personal and the political, Self-Mythology considers the futurity of diaspora in America while revealing its possibilities.
Saba Keramati is a writer, editor, and educator from the Bay Area. A winner of the 2023 92NY Discovery Poetry Contest, she received her MFA from UC Davis. Her writings have appeared in Adroit Journal, AGNI, The Margins, Poet Lore, and other publications. The poetry editor for Sundog Lit, Keramati currently lives in Dearborn, Michigan, with her partner and cats.
“Keramati takes confessional poetics to new heights, scrutinizing the self as a site excavated, and the home(lands) as a body whose scattered limbs might yet be reassembled. A number of lines are seared into my brain, triumphant and forthright in their brilliance.”
—Sarah Ghazal Ali, Electric Lit, April 2024
“What does it mean to belong? Is it citizenship? A social role? A family of origin? Keramati’s speaker searches for these answers through the loneliness of being from ‘a country that doesn’t exist’. Self-Mythology‘s achievement is, variously, how poetry’s nowhere and nothing can be a home, too. A home whose blueprints are in Whitmanian contradictions and whose walls are erected in their own belonging, which are rooted in love.
—Yanyi, author of Dream of the Divided Field
“These astonishing poems, crackling with wit and music, scrutinize and shoulder the histories that hammer the self into existence. The poems are rendered in language so beautiful, so startling I often gasped. Saba Keramati is an immensely gifted poet. In Self-Mythology, she reminds us the self is plural, fluid. Her interrogations are empowering and instructive and deftly crafted.”
—Eduardo C. Corral, author of Guillotine
“At the limits of language, of what is knowable and sayable, Keramati treats selfhood, inheritance, and the voyeurism of identity with a skepticism, acknowledging the labor of having to explain oneself when one is also trying to protect oneself from being excavated. Self-Mythology is a refreshing, smart, unromanticized understanding of home and homeland that pushes back on capitalist understandings of otherness in favor something more beautifully un-heroic and human.”
—Megan Fernandes, author of I Do Everything I’m Told
Every year, the University of Arkansas Press accepts submissions for the Miller Williams Poetry Series and from the books selected awards the $5,000 Miller Williams Poetry Prize in the following summer. For almost a quarter century the press has made this series the cornerstone of its work as a publisher of some of the country’s best new poetry. The series and prize are named for and operated to honor the cofounder and longtime director of the press, Miller Williams.
“I love poems that vivify and disturb,” says series editor Patrica Smith. “No matter what genre we write in, we’re all essentially storytellers — but it’s poets who toil most industriously, telling huge unwieldy stories within tight and gorgeously controlled confines, stories that are structurally and sonically adventurous, and it’s magic every time it happens. Simply put, when I read a poetry book, I want something to shift in my chest. I want my world to change.”
